Sunday, December 25, 2005

A Very Merry Christmas



I took this photo in the Sierra Nevada near Lake Tahoe last February. We were trying something new - snowshoeing - and much of the snow was deep soft powder. On the surface there was a layer of crystals that were catching the light. If you look at the full picture you can see these crystals quite well. When it came to making a Christmas card for the year I had always hoped this picture would work out.

Here are some other pictures from that day, all taken with our Canon Powershot A80 Digital camera.



Donna walking across the very large, very frozen lake. It took a little convincing to get her out there but the clear evidence of other people having crossed the lake safely tipped the scales. Nevertheless, I kept Donna in front of me in case of problems up ahead.

Apparently it is bad form to step in other people's tracks, especially the skiers's, but the snow was so deep it would have taken so much longer to slog through it if we hadn't.

There were homes around the lake, obviously summer retreats as they were all but buried in the snow, the piers to their boats sticking surreally out of the snow.



I love this photo - it was another contender for the Christmas card



Similar to the snow crystals shot but a little wider. I love that one bright glint from the snow in the lower left corner.



I wanted to see what would happen if I overexposed the photo as Donna was walking in front. I thought the effect turned out quite interesting.

Merry Christmas! or, as our new favourite show said, Feliz Naviblab!

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Friday, December 16, 2005

This is multitasking - caption competition!


I love this photo of Donna 'mid-action'. She was cooking or baking - note the left hand in the bowl whisking up something. Without missing a beat, she was holding an animated conversation at the same time all the while looking stylish in her moo-cow apron. I love the attitude in her pose, it begs a caption competition.

I took this picture with my Lomo LC-A and Coloursplash flash, hence the overall orange tinge.

Submit your caption as a comment below!

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Wednesday, December 14, 2005

How many marshmallows can you eat in one go?



A few weeks ago we were invited to take part in a friend's "Amazing Race" for his birthday.

Scott's Amazing Race: Road Rules Edition Photo Album

If you don't know "The Amazing Race", it's a treasure hunt where you travel from location to location based on clues you're given, and at each location you may have to solve a puzzle or two before going to the next location. They called this one "Road Rules Edition" in a nod to MTVs "Road Rules", since last year's race was on foot. There were about 40 people taking part. Our team consisted of me, Donna, Mellisa and Anthony.

I took these pictures with our small digital camera so again I don't consider them the best I've ever taken but they do capture the fun of solving the puzzles, going from place to place around San Francisco.

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Monday, December 12, 2005

Party animals



The Lucas Holiday Party 2005 DonJuanna Photo Album

I took these with our little digital point and shoot so they're not groundbreaking pictures but some amusing ones in there, and give the feeling of the event.

It was the end of Diego and Yolanda's stay in San Francisco. Their plane was leaving at 6am, so we decided to make a night of it, and booked a room at Hotel Vitale, a very nice place and well located next to the Ferry Building. It was also next to the Bay Bridge, which is fast becoming my favourite bridge (just to look at), beating its more attention grabbing Golden sibling. Parking charge was steep ($42, gulp) but it was all but impossible to find a spot in the area. The hotel was nice, California modern style mixed with a spa - all nature pictures, greens and browns.

We started the evening at Tim's place, warming up with a few cocktails and similar, before going to the main 'Forbidden City' event down the street. Most of the main asian cultural exports were represented there - contortionism, taiko drumming, fortune telling, origami, plate spinning and, of course, Dance Dance Revolution. There was also a small treasure hunt to find four pieces of a puzzle that you then had to use to make an origami star, and you would receive some chopsticks with a fortune on them. A highlight was the sake tasting, I wish I could remember what that premium one was called. On the dancefloor the DJ wasn't very good; I was hoping he'd play some Japanese pop or techno or something fitting with the theme, but we had fun anyway.

After things shut down at the main event we walked the few blocks to Vinh's house and kept things going. Diego and Yolanda returned to the hotel to grab a couple of hours of shut-eye before the airport wake-up call, but Donna and I decided to push through. We just about made it back in time to take Diego and Yolanda to the airport, who were none to happy about having to get up. The roads were wonderfully quiet on the way to and from the airport, and it was hard to say goodbye to them. It seemed they'd only just arrived.

Back at the hotel at 4.30am the morning staff were putting out the Sunday paper in front of everyone's door and getting ready for a new day, but we were ready to call it a night.

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Friday, December 09, 2005

Bonfire night



At Guy Fawkes' bonfire

After a few blurry versions I managed to get an almost crisp version of one of the dancers silhouetted against the large bonfire. I took this with my Lomo LC-A. I thought about cropping it down to just the guy against the fire but there's something about the large expanse of black space in the image that hints at something bigger, so I left it in.

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Thursday, December 08, 2005

Guy Fawkes It Up



I stole the title from something I remember hearing on this classic radio show. No Guy Fawkes' Day is complete without toffee apples.

This photo is another in the series of medium format pictures that I took with my Seagull. I did frame the entire apples in the shot, but because of user error (I wound the film as if I were taking 4x6 photos instead of 6x6), I double exposed the top and bottom of the frame. The middle of frame was nicely exposed though, and I felt it captured the quality of the light, so rather than throwing out the whole thing I cropped out the offending parts.

I had never made toffee before, let alone toffee apples. We were going to take Donna's parents to Muir Beach's Guy Fawkes' Day celebrations, and in the past I had enjoyed our friend's Amanda's toffee that she would always make for the occasion. I pestered her for the recipe and she pointed me to trusty Auntie Delia.

It's surprised at how simple the recipe is for toffee, although clearly there is an art to actually making it right as I ended up with something that never hardened and had a slightly grainy texture to it. And not having a 'proper' stick to put in the apples (and not sure where I would get them) I used wooden skewers, giving the apples the look of the remains of William Tell's target practice. Despite all that they were delicious and were snapped up instantly.

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Tuesday, December 06, 2005

"arrrrrrr!"


on a secluded beach, I found the treasure...

On the same foggy day that I took the photo of the trees, I found myself down on a beach in the Marin Headlands, where I came across a washed up chest with large rusty iron rings. The Golden Gate Bridge was in front of me, at least, I think it was - the fog was so thick all I could perceive was the loud hoots of the fog horns on the boats entering the Bay. I imagined a Spanish galleon going astray and dashing against the rocks hundreds of years ago leaving only this remnant of its visit.

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Sunday, December 04, 2005

Photo of the week - to Rivendell


A couple of months ago I was hiking in the Marin Headlands. It was a chilly, foggy day. My intent had been to start at the Golden Gate Bridge and walk through the headlands and make it as far as I could home to San Rafael. My other intent was to take lots of photos with the lovely Seagull camera that Donna got me for Christmas last year that has sat criminally underused.

I made it for about 4 miles, it was cold, the fog was unreleting, and my left knee started to hurt so badly I could barely walk. The bulky camera sat in my backpack digging into my back the whole time. It's just hard enough to use that unless you're really concentrating you're likely to double-expose your pictures, or even open up the whole back of the camera without realising.

The discomfort was worth it though when I saw the pictures that came out that day. I'll probably post more in coming days. This was taken on the ridge between Sausalito and Marin City. I was using a rough exposure guide that has typically never worked for me but it really came through in this case. Enough chat. Enjoy the photo.

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Thursday, December 01, 2005

Thirty Years young

The company threw a party for ILM's thirtieth anniversary tonight. Earlier in the day we all received a gift - matted prints of two pieces of bookending Star Wars history; an early concept piece by Ralph McQuarrie of Luke looking at Mos Eisley, and the last shot of Episode III when baby Luke is handed to his Aunt and Uncle. If you're a Star Wars fan it's a gem. We knew the party would be something with alcohol (yipeee), food, and a few special things, but I and others were surprised at how big of a celebration it turned out to be. There was a ceremony to honour people who had been there twenty years, and the entire thirty years. Aside from the usual ILM luminaries, Dennis Muren, Lorne Petersen, Steve Gawley, etc, old ILMers like Phil Tippett showed up too. For an ILM geek like myself, when at the tender age of 13 I pored over every page of 'ILM: The Art of Visual Effects', and could barely imagine a day when I might have a chance to see, perhaps visit the facility, to be standing there amongst these guys nearing my own 5 year anniversary with the company, it was a special moment.

In the hall was a display showing a timeline of ILM's history from the original Star Wars until the last one, marking major moments in the company's history, the Oscars, the movies that have made an impact. We were asked to sign the timeline next to the date we joined the company, which was a nice way to put our mark on things.

There was a table with two of ILM's many oscars, one for 'Jurassic Park' and the other for 'Return Of The Jedi'.
You could stand there and grab them and take your picture with them just looking shocked or maybe giving a tearful emotional speech thanking your agent's accountant and hairdresser.

Outside by the Yoda fountain there was bar, a cake donated by Pixar, and a microphone. There were a few 'go team' speeches, concluding with George going up there and addressing everyone. The last time I'd heard George address us as a company it was during contentious union-contract negotiations, so this was much warmer. He's never been an eloquent speaker, yet I've always found him to be sincere and express genuine warmth for the people of ILM and the work we have produced. He spoke of how ILM nearly gave him a heart attack on 'Star Wars' when they spent half of their budget getting their equipment together without shooting a single piece of useable film, leaving them almost no time to complete the work. The work got done with a lot of sweat and tears, as they still are today. How they grew beyond just his movies, to Steven [Spielberg]'s movies, and then onto other people's, into a legitimate business that flourished without him needing to do anything about it. Until he realised he could realise his ideas for a new bunch of Star Wars movies, but they're done now, and the company ('your company' much more than 'my company' he stated) would continue to make movie history in San Francisco and flourish well into the future. He concluded by leading a toast to ILM, met with much enthusiastic applause.

Back inside, I caught a funny 15 minute piece showing in the Premiere theatre that had been compiled of many behind-the-scenes pieces done at ILM through the years. Much of it focused on the antics of people stuck at work for too many hours pouring over too much fine detail and subsequently going a bit mad; Steven Spielberg talking about our many eccentricities; the original 'videomatic' with simple models and figures of the speeder bike chase in 'Return Of The Jedi'; geeks being interviewed and freezing in front of the camera, to mention just a few highlights.



And the 80s are a great decade to have footage of people when they had hair, because, well...

Despite having had a conversation earlier that evening about what the protocol would be to talk to a fellow worker whom you had idolised as a kid, if you could even talk to someone like that without seeming like a complete dork, I seized my chance to chat a little to Steve Gawley. He was so sweet and touched by what I had to say, and wanted us to sign several copies of John Knoll's 'Creating the Worlds of Star Wars' that he is giving to his friends and family. It didn't seem right for me to be signing his book but I did it anyway.

I don't know what my future is here, but I feel very lucky to have been able to fulfill more of my childhood dreams than I ever thought possible at this point in my life, and I felt very priviledged to have been there tonight.

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